Heard while driving home from Tess’s basketball game earlier.

“But Dad, I’m the only one in my class who doesn’t have a cell phone.”

“I know Sweetie, but that’s not a great reason for getting one.”

“But Dad, it’s like embarassing.”

“I’m sorry Tess, really. Mom and I will talk about it again, but for now…”

“Ugh.”

Silence for a few minutes.

“So, anything happen at school today?”

“No.”

“Nothing?”

“Ugh. We got a writing assignment.”

“A writing assignment? What kind?”

“We’re learning persuasive essays.”

“Persuasive essays? Well that’s kind of appropriate.”

“Like, what do you mean?”

“Well, don’t you have something you want to persuade me to do?”

She looks at me and smiles. “Cell phone!” Pause. “Ugh.”

“What?”

“I can’t do it on cell phones.”

“Why not?”

“Because our teacher said we should focus on things we’re really interested in.”

“Aren’t you interested in getting a cell phone?”

“No. Well, yes … but this is … different. I wanna write about sharks.”

“Makes sense. You know a lot about them. But how would you make your essay persuasive?”

“People are prejudiced against sharks. Everyone thinks sharks are bloodthirsty, violent creatures. It’s not true. Not all of them are … and they can work together, too. I wanna write about that.”

“And your teacher said yes?”

“She did, and … get this, she said I could interview this expert on sharks from the University of …  uhm, I forget. But she is a researcher and an expert on sharks.”

“Is … she coming to do a talk at school?”

“No, dad. I will be meeting with her online, and with some other researchers that work with her.”

“Online? Just you? What about other kids?”

“They have other topics, so they’re working with other people.”

“Online?”

“Yes, online.”

“So, you’re going to find out more about sharks from this researcher in … where is she again?”

“Somewhere in California, I think … yes, she has a blog and some of her research is also online. She posted movies from her previous research trips on YouTube … we’re chatting tomorrow during class.”

“That’s soon!”

“We have to meet this week. She’s leaving for a research expedition, for two months …”

“… so you won’t be able to get in touch with her after she leaves.”

“Well, she’ll be sending updates to her lab from her cell phone … I guess her assistant could email them to me.”

“… or you could get your own cell phone.”

“Exactly!”

Paulo Freire always claimed that we should use our imagination to reframe our reality - to see beyond that which we find oppressing. This re-working of Will’s conversation is my attempt to imagine a better classroom and to emphasize that what teachers need today - and more today than at any time in the past - is imagination.

But in the process of building this exhibit, I also realized that it could be so much more than just a virtual gallery - it could become a learning environment, a place that anyone interested in education in Kenya could visit and explore. So, the initial virtual gallery idea quickly morphed into “unfinished …” - a project to build a virtual Kenyan classroom, a typical classroom in a typical rural school in Kenya.

Of course, some will say that I didn’t have to use Second Life, that a blog entry, a Flickr set, or a PowerPoint presentation (or maybe all of them combined) would have been just as effective. That’s why, before I began, I asked myself: What can I do in Second Life that I cannot do on the world wide web? Why do I need a multiuser virtual environment?

I wanted the visitors to be able to experience, even if only virtually, what it is like to stand in a typical rural Kenyan classroom. I can’t do that on my blog, but in Second Life I can create that classroom. I can try to re-create that environment. Of course, as a visitor to my classroom exhibit in Second Life, you won’t feel the fine Kenyan dust on the floor - the kind of dust that penetrates into everything in Kenya. You won’t be able to interact with Kenyan students or look through their notebooks. I cannot create tactile experiences in Second Life. What I can do, however, is create a visual experience that is very close to what I saw in Kenya. I can create a replica of a typical classroom and then use it as the setting for tours, presentations, or conversations about education in Kenya. I can create a virtual environment that provides a meaningful context for discussions about education in developing nations.

That environment wouldn’t be complete without photographs of children and school life that I took while in Kenya. You will find them scattered around the exhibit. You will see photographs of children and classrooms leaning against a virtual fence or the classroom wall.

Again, an argument could be made that all those pictures could have been shared on Flickr. True. I did share them on flickr, but as soon as I uploaded them I realized that they didn’t fully represent my experiences, that individual photographs, when placed against the white backdrop of a flickr photo page, lose their richness and become just another snapshot. In Second Life, however, I can create an environment for them, a context that will help the visitor see them as part of a larger story.

When building this virtual space, I tried to make the environment as reminiscent of the actual schools in Kenya as possible. Many of the textures I used for walls or corrugated iron panels were extracted from my own photographs of Kenyan schools and imported into Second Life. Before I built the desks for the virtual classroom, I scrutinized the pictures I took of student desks in Kenyan classrooms. Before building the classroom itself, I carefully analyzed my pictures of rural schools in Kenya.

Why “unfinished …”?

I chose this title because when I first walked into a classroom in rural Kenya, everything around me seemed … unfinished - the bare walls and gaping holes instead of windows all contributed to that impression. It seemed that the classrooms were still under construction. Of course, the sad truth is that the classrooms I visited were all finished - there simply isn’t enough money at many of the schools in Kenya to put in windows or buy new desks. There simply isn’t enough money to put plaster on the walls, buy bulletin boards, or put up posters.

Not every classroom in Kenya looks like the one I created in Second Life. Some schools are better equipped than others. Some classrooms have windows and plaster on walls instead of bare bricks. Some have new desks. Many have electricity. The classroom I built in Second Life, however, is not atypical of rural classrooms in Kenya. It represents rural schools and the country itself quite well. In Kenya, many things, including roads, schools, buildings, and public services, seem … unfinished.

The work that Teachers Without Borders - Canada has begun in Kenya is also unfinished. We had initiated great projects, worked with many teachers, and established valuable contacts with ministry officials and other NGOs. We look at these accomplishments as work in progress and an opportunity to continue to move towards our goals. One of those goals - and my goal for this virtual exhibit - is to raise awareness of some of the challenges faced by teachers, students, and administrators in developing nations.

I hope that you will take the time to walk through the exhibit and experience school life in a rural Kenyan classroom. The following link will take you into Second Life, to the island of jokaydia where the project is hosted: (SLurl to the Virtual Kenya Exhibit).

Virtual Kenya Project Machinima
(Link to the original file on blip.tv)

Interested in a Tour?

If you like what you see and would like to bring your students or colleagues into this space, or learn more about education in Kenya or the work of Teachers Without Borders - Canada, please feel free to contact me. I’ve given a number of tours already and would be happy to chat about the space or help you build a lesson around this virtual exhibit.

- John Dewey, Democracy and Education

I’ve written about this before, but the concept of engaging students in conversations and engaging, as an educator, in conversational assessment, is something that I continue to investigate.

Of course, it is not easy to have meaningful and authentic conversations with students about a literary text that they’re reading. First of all, they know very well that I’m an expert - even if I don’t see myself as one. Therefore, they are absolutely convinced that they cannot contribute anything to the discussion that I don’t already know. No matter how much I try to show them that there are still many aspects of a given topic that I am not very familiar with, students persist in their belief that teachers are experts.

So, I often try to start conversations and create activities that are just as challenging for me as they are for them. This calls for quite a bit of creativity and forces me to abandon tried and tested lesson plans.

Last month, I decided to help my students engage with Anne Frank’s The Diary of a Young Girl as more than just a literary text. I wanted them to look at it as an experience, as life written down by someone their own age. They find it difficult not to treat the diary as just another "big book" that they study at school. I wanted them to think about Anne as a person and her diary as a personal record. I wanted them to have an opportunity to engage with the text and think about what Anne’s words and experiences meant to them. I wanted to create an avenue for a personal connection - not an easy task in a classroom setting where every text we study is likely to be perceived as a literary text first and a personal experience second. At the same time, I also wanted to engage myself as a participant. I wanted to model the kind of personal engagement I wanted my students to experience.

It occurred to me that one way of doing this would be to create a soundtrack for the diary. So, I spent some time browsing through the SeeqPod and SkreemR archives on the mixwit page . The next day, I walked into our classroom and explained to my students how I got the idea:

I always listen to music when I read. Last night I was listening to Mozart and re-reading parts of the diary for our discussion today. Suddenly, I realized that the piece I was listening to suited the passage I was reading perfectly. It felt almost like the best soundtrack for that specific passage. So, I decided to make a list of songs and classical pieces that, in my opinion, would work well as a soundtrack for Anne’s diary.

And then I showed them the soundtrack I had made and we listened to a couple of tracks. I saved my soundtrack using mixwit’s highly visual interface and then embedded it in my blog in the grade eight blogosphere:

(Click here if the above widget does not work)

Then, I continued:

I want you to know that this took a long time and I found it very difficult to choose the songs. I kept searching the mixwit database for all kinds of songs that I thought would be perfect, but then I realized that the lyrics didn’t really work or that the song was actually very different from how I remembered it. In other words, I had to spend quite a bit of time not just coming up with possible song titles for this but also justifying my choices.

So, I would like you to do the same. Create a mixwit account and then search the database for tracks that, in your opinion, would be perfect for a soundtrack for The Diary of a Young Girl . There’s one catch, though: You have to be able to justify your decisions.

And then the conversations started. The one thing that made a huge impact was that I had challenged them to create something that I myself had already done. They could interact with my playlist and learn from the process I had engaged in prior to starting their own. They could critique my work and analyze it before embarking on their own journey of creating a soundtrack. In other words, I had entered the classroom and started the conversation as a participant. Creating my own mixwit tape placed me in the position of a learner. I eagerly shared with them my experiences of using mixwit and choosing the appropriate songs.

The point here is that what they were encouraged to do was not based on an abstract assignment description. I had entered the classroom with evidence of my own meaningful personal engagement with the diary, not just a typed handout explaining what they had to do.

This exercise led to a number of meaningful conversations with my students about Anne Frank, her writing, and our interpretations of her personality and her work. The fact that they all needed to justify their musical choices ensured that the conversations we had focused not just on the music but also, perhaps primarily, on the text. I had many one-on-one conversations with my students in which they talked about specific aspects of Anne’s personality and shared their knowledge of popular music with me. They read and listened to the lyrics carefully because they realized that the choices had to be justified and couldn’t be in any way offensive to the sanctity of the text written by a girl their age who perished in the Holocaust. This wasn’t just about listening to music, it was about making connections, and they all realized that, in order to make them, they had to become very familiar with both the songs and the text - I had encouraged them to become experts.

I was also pleased that this activity gave all of us an opportunity to engage with the diary in a new and unique way. The students still studied the text, they still had to think about Anne as a person and a writer, but they had to do it in a context that rarely enters our classrooms, one that certainly is never present when we discuss literary texts.

I learned that entering the community as a participant allowed me to have conversations with my students that they did not perceive as instructional. Yes, they were talking to Mr.Glogowski about their songs and their reasons for picking them, but it did not feel like school talk.

Here are some examples of what they created:

… and, of course, the best thing about this was that there was no rubric or evaluation sheet. Why? Because when you listen to student soundtracks for The Diary of a Young Girl and the music works, the music fits, you just know the students did a great job … and they do too - not because they received a rubric with a high mark, but because their work emerged from meaningful conversations with each other and the teacher.

So, as a teacher in the 21st century, I am taking a stand: I want to have a classroom where my students can enjoy learning experiences. Instead of dividing the curriculum into neat chunks, I will try to set the stage for the right kind of environment to emerge - the kind of environment where learning experiences can take shape. The kind of environment that is similar to what Ben Wilkoff has termed, “the ripe environment,” one characterized by “a culture of connection.”

Before I explain what I have in mind, let me take you back to last term. I’d like to tell you about Vanessa. Last term, she chose to research child soldiers. She spent months reading articles, interviews, watching online videos, and documenting her research on her blog. Gradually, she immersed herself in her topic and learned much more than I ever could have taught her. Then, towards the end of the term, after documenting her research, reflecting on it, and sharing it with her classmates, she started writing poetry in response to this gruesome and difficult topic. Take a look:

I am part of the Revolutionary United Forces and I will stop at nothing for victory…

To overthrow the enemy one must not abide by the rules,
Governing ourselves, altering the thoughts of many
Vulnerability in a child is our advantage
Even in the children’s eyes, death is to be taught as the answer
The children have sorrow in their eyes longing for love
They cry,
Scream,
Weep for love,

Defeating the enemy, is of the utmost importance
No sympathy, no traitors, no survivors
The child’s innocence will not affect us,
Risking their lives will lead us closer to victory.
The children have sorrow in their eyes longing for hope,
They cry,
Scream,
Weep for hope

Respect given to the children will conquer any love once given to them
Our training methods constant and cruel
On the front lines of battle, they shed blood for us
We are the R.U.F’s, envisioning only supremacy
The children have sorrow in their eyes longing to defeat the enemy
They cry,
Scream,
Weep for victory.

I realized that this was a genuine personal response, indicative of a lot of personal investment in the topic. It was a kind of personal way of coming to terms with what she had learned. Vanessa wasn’t the only one. Trudy, who’d spent months researching Anne Frank, also posted some poetry:

The book opens
A new piece of information is just being handed to you
But you know at the end something dark awaits
And lets just say its not a happy ending

You read the beginning and then the end
Throughout each day personalities change
Feelings change
It is a new type of life unfolding right in front of your eyes

You witness life in the eyes of a young girl
The way she writes the way she explains,
Its like its happening
To you
Right this very moment
Everyday sounds and voices scare you
But shes just a 13 year old girl what can she do?
Nothing

New laws, new relationships are all so different
Its kind of like beginning a new life
Like a caterpillar growing into a butterfly
A new life unfolds

No fun, no friends
Just your family
With petite spaces and little boundaries
Closed windows make you want to witness nature
But you can’t

A new love,
Someone to share your feelings with
But is it true?
Or have you just gotten to the point you can’t think and you do things that you would never do in you old life

So many rules to follow:
Be Quiet!
Walk Slowly!
Sit Down during the day!
Read, write just be quiet….during the day!

When the sun has gone down and the moon has gone up
There are different rules:
Walk Around
Be Free
But Don’t open the windows
Or go outside!

With every pleasant thing you do,
There will always be a consequence
During this time of your life

All the personalities change so quickly
Funny
Talkative
Sometimes even ignorant
Personal

There is so much time but soon…. Sooner than you think
There will be no more time left.

At first, while certainly very impressed by the creative work of these thirteen-year-olds, I did not think that there was anything out of the ordinary about it. Then, I realized that there was. Having become researchers (one might even say content experts) in their respective fields, Vanessa and Trudy started contributing. Yes, contributing! We don’t often think of students as contributors. Even in the context of Web 2.0, I often talk about collaboration and connections, but rarely about genuine contributions. These poems, it occurred to me one day, are learning objects - they are unique artifacts that I can use next year with another class when discussing child soldiers or Anne Frank. Much like edubloggers around the world who, through my aggregator, contribute to my knowledge of learning in the 21st century, these girls were contributing specific artifacts to the topics they chose to study.

I started thinking about their progress as researchers and it occurred to me that the whole class seemed to follow the same pattern. Once I gave them the freedom to find a topic they were interested in, they began to seek out and immerse themselves in learning experiences. No one really seemed to care about grades or tests. Instead, they were immersed in learning about topics they cared about. Looking back, I realize that the process that the whole class engaged in consisted of four stages. Vanessa and Trudy, however, moved beyond into the fifth stage. The girls, along with their classmates, inspired me to start thinking about the process of creating learning experiences. The five stages described below illustrate my emerging approach based on my classroom practice and the work of my students (be kind - it’s still a work in progress):

1. DISCOVER:
First, the students were given the freedom to pick a topic of interest within a specific context that we had entered through our discussions of literature - the context of social justice. I gave all my students sufficient time to think about what they were passionate about, visit some sites, read some articles and uncover that one specific topic that they wanted to learn more about.

At this point, the students were really just surfing and lurking. They were visiting various sites and communities to explore topics that were of interest to them as potential ideas for future research. There were no conversations here, just fleeting interactions.

2. DEFINE:
During this stage, I gave the students time to post some preliminary entries on their blogs, to think out loud about their topics in general terms before they started their research. The point here was to allow them the freedom to start defining their research topics and possible ways of tackling them.

3. IMMERSE:
The next step was the longest and most complex. Having narrowed it down to a specific topic, the students then were given time in class to immerse themselves in the topic, to learn more about it, to start looking for, identifying, and interacting with valuable resources. This was an opportunity to bookmark relevant content and use RSS to start creating a network of valuable and reliable resources (I want to extend it this year to a network of peers and adult experts). I wanted my students to become researchers who locate valuable content, read, interact, and document their learning on the blog by writing entries about the topic and their journey as researchers.

4. BUILD:
The students’ efforts to document their discoveries and their learning contributed to the process of building their own knowledge in this specific area. The entries showed me and their peers - our whole community - how much they were learning. These were thoughts made visible. The students used their blogs to document their research and to build their own knowledge in their respective fields of expertise. There were many connections that emerged among students researching related ideas. The students interacted with each other by posting comments and by sharing and commenting on resources. They were engaged in their own research projects as individual researchers but, at the same time, there emerged many small networks within our class blogosphere of students interested in similar topics. They were all engaged and connected.

And that was where the process ended, or so I thought until I noticed Vanessa’s poem and then Trudy’s. Both girls were contributing unique, personal content to the fields they chose to research. That’s when I realized that in order for the learning experience to be complete, the students needed to go beyond researching, connecting, and network-building to become creators and contributors. Of course, one could argue that their research entries contributed valuable material to our class community, but this - their poetry - was unique and personal. These were artifacts which, despite their personal, literary, and creative nature, could enrich anyone’s understanding of child soldiers or Anne Frank. They emerged because the girls went beyond the process of documenting their research.

So, I realized that there was one more, final stage in this process.

5. CONTRIBUTE:
This final stage happens when, as learners, the students begin to contribute through their own creativity. It happens when, having acquainted themselves with the topic, they begin to rewrite or remix it in their own unique way and thus contribute to and enrich the field they’re researching. This is the stage when the students begin to create unique artifacts that contribute to the existing body of knowledge on a given topic. This final stage is not just about contributing links or resources to a group project or to a community. It is primarily an exercise in creativity. It begins when the students interact with ideas, resources, and people to create or enter a network. Once they can tap into the collective intelligence of their networks, they can begin to learn, and once they begin to learn, they can also begin to create their own resources - podcasts, films, creative writing, or any other artifacts that can then be used by others and can enrich their grasp of the topic.

Why can’t this fifth stage replace my traditional evaluation strategies? Why can’t I replace tests or assignments given to the whole class with the kind of engaging and personally relevant approach to learning that is encapsulated in the five-stage process above?

I think it can certainly be accomplished but, first, I need to foster in my classroom the kind of environment where this five-stage process can take place. This means that I need to think about how to create the kind of environment that fosters and supports learning experiences, not the kind of environment that imposes them on students. Perhaps, what I’m really interested in is what Dave Cormier calls “habitat.” He states that a proper habitat can “make it more likely for community to form and more likely that that community will do the kinds of things that were intended … that prompted the creation of that habitat.” In other words, as Dave argues, “a careful attention to the construction of habitat can increase the chances of a community forming.” I spent the last three years creating communities with my students and I learned that if the right (ripe?) environment is there, the community will emerge. It seems to me that the approach I described above can help create the kind of habitat that will lead to the emergence of networks, correspondences, and - most importantly - contributions.

In order to make all of this happen in a grade seven or eight Language Arts classroom, I need to think about facilitating connections and supporting my students in the process of creating their own networks where their contributions - poems, interviews, chatcasts, blog entries, podcasts, films - will be seen as enriching artifacts.

We did not use all of the above but the ones that we did use helped in two significant ways. First of all, they made it easier to navigate around the online community by displaying links to all student blogs and to the most frequently discussed entries. Secondly, they also helped create a sense of community among the students by making all contributions (posts, comments, photos) clearly visible. It helped the students see the global progress of the community and their own place within it.

One of the most valuable features of this platform, however, turned out to be the ability to personalize the look of each individual blog.

For the very first time since I started using blogs in my classes (over three years ago), the platform I chose allowed my students to customize the look of their individual blogs. The software I used before (Manila, LifeType) allowed users to change the themes (I had to upload them first in order to make them available to my students) but did not give my students the freedom to personalize any of the specific aspects of each theme, such as the blog header, the background, or the colour and size of the font.

Unlike the other software we used in the past, 21classes allows every blogger to modify the background, the header, and the colour and size of all fonts - practically every little detail of one’s blog. The students can also choose from a variety of different widgets that can be embedded in the blog’s side panels (Calendar, About Me, My Favourite Blogs, Most Recent Comments, etc.).

So What?

As administrator of our 21classes.com portal, I was able to give my students the opportunity to pick a theme and then modify it. At the beginning of the term, when I gave them one class to get to know the community and the software, the students used it to learn how to modify their blogs. These are some of the questions and conversations that I overheard and jotted down:

How do you change the title?
You mean the header?
Yeah. That top banner.

How did you change your background to yellow?
You can upload a picture, too. See?

Can you change the size of the font?
Where?
In my title.
Sure. You can change the colours, too. Just pick a theme and then click on it. That opens a new page … here I’ll show you.

Look at …’s blog. She changed the borders. How do you do that?

In other words, they spent one hour and then also some time at home learning how to personalize their blogs. Most of them kept the same theme and modifications throughout the term. Some made minor changes on a regular basis.

Why is this important? I believe that the effort they had put forth to personalize their spaces contributed greatly to their sense of ownership and involvement as writers. Initially, I was concerned that this would lead to an undue preoccupation with the visual appeal of their blogs and distract them from the focus of our blogging community - writing and research. It didn’t. The students seemed aware of the fact that the visual appeal of the blog, no matter how inspiring, would not ensure readership. They knew that conversations emerge from interactions with and about texts.

The ability to create a virtual space that is uniquely one’s own turned out to be much more important than I had anticipated. It helped the students define themselves as individuals, not pupils who use a teacher-sanctioned tool to post work. When I compare student blogs from two years ago or from last year to the personalized blogs that the students created with 21Classes, I see a collection of individuals, not a classroom. I see evidence of personal engagement but no evidence of an institutional setting. The uniformity that the other platforms forced upon us was gone and what emerged was a creative and engaging mosaic. Take a look:

Some of the students modified their blogs to reflect the focus of their research, not their personalities. Take a look at the following examples (move your mouse over the photo to see explanatory notes on my Flickr site):

Blogging is about personal expression. The ability to personalize one’s space is something that needs to be an integral part of every community. I believe that it is an important building block that can help us build communities with our students. If a blogging community focuses primarily on creation then why not start by creating one’s space, one’s atelier where the process of creation will take place?

This reminds me of John Dewey’s statement that the self depends for its wholeness upon its surroundings (Art as Experience). In other words, what impacts the work of every individual blogger is not just the community itself or the connections made in the World Wide Web but also the immediate environment where he or she creates and “resides.” This immediate environment also allows students to become emotionally attached to their spaces. Without that involvement, Dewey argues, there can only be craftsmanship and not art. In other words, a blog I cannot personalize is a place where I have no control and no personal investment. This will greatly limit my ability to engage as an individual.

Perhaps I’m exaggerating but it seems to me that it is important to use a blogging tool that allows students to redefine their spaces as other than strictly academic sites of engagement. I have spent quite a bit of time looking at the screenshots above and have come to the conclusion that, for the most part, they do not look like school writing journals. Yes, you can see that the students are clearly engaged in school work and that there are certain elements that make these blogs similar (the “About Me” page or the link to the home page of our community), but there is also a lot of individuality in each blog. There is evidence of personal and creative engagement. These are (or have the potential to become) out-of-school learning spaces and not just school journals.

Of course, one can argue that it is all about contributions and ideas, not visual appeal. I agree. At the same time, I think it is crucial to allow all participants to create sites of inquiry that are uniquely their own. To some, this might mean using widgets. Others might choose to modify the header or font size. Whatever it is, as teachers we need to remember that it all starts with freedom - this is not just about creativity but also about stretching the boundaries and the control that characterize institutional settings.

I want my students to be able to say “This is where I write about things that I am interested in,” not “This is my school blog.” In other words, perhaps it’s time to liberate my students from the mindset of uniformity imposed upon me by the school and, instead of telling them to come to an online place that I have chosen, ask them to give me addresses of their own electronic spaces. Instead of saying, “Bookmark this URL, this is where all our blogs are going to be,” I could say, “Give me all your URLs - flickr, facebook, myspace, blogger - wherever you are - so that I can put them into one OPML file for all of us to share.”

I realize that due to various institutional constraints, many of us may not be able to use that approach for a very long time. Giving our students the freedom to build their own spaces, even within a teacher-sanctioned portal, is a good start.

But there is another thing that, I hope, will have a positive effect on my grade seven students. Some of my former students that I mentioned in my previous entry have agreed to participate in this creative writing community as grade nine mentors. They are no longer at my school but have expressed interest in working online with my grade seven students and helping them become stronger writers. Much like Mark Ahlness who has made it possible for his former students to return to their old community as “alumni,” I, too, decided to use the energy, the enthusiasm, and the talent of my former students in the new community where they will be able to work with the Writer in Residence and over forty grade seven students.

The reason I’ve decided to bring in both an accomplished Canadian poet and my former students who have studied poetry with me and have demonstrated excellent writing skills is to create a climate where literacy can flourish. I know that they will enter this community as writers because that is exactly who they are. While Douglas Smith will be both an inspiring and intimidating presence, I hope that gradually, my grade seven students will see that, as a writer, he faces the same blocks and the same frustrations as they do. I am hoping that this will challenge them to function inside their zone of proximal development, which “defines those functions that have not yet matured but are in the process of maturation, functions that will mature tomorrow but are currently in an embryonic state” (Vygotsky, 1978). I am hoping that the words of Douglas Smith and of my former students can create a climate that “awakens and rouses to life those functions which are in a stage of maturing” (Vygotsky, 1978). I am hoping that the students will be motivated to write with a poet and a handful of high school students who understand what it means to nurture one’s own creative, expressive, and exploratory voice.

So, the question is, How do we do it?

The answer is, quite simply, that I’m not exactly sure how this can be done. However, I am convinced of one thing - I believe that all of the above can be accomplished only if the Writer in Residence and the five grade nine students are not viewed as experts. I don’t want them to enter this community and say to the sevens “I’ve done this before, and now I’m here to tell you everything I know.” Instead, I hope that both the nines and Douglas Smith can create an environment that will help the students embrace writing not as something that is done at school but as something that is deeply personal, expressive, and human. In a community of writers, we need writers and not experts. We need inquiring voices and not voices that preach. So, I believe that both Douglas Smith and my grade nine students need their own portfolios in this community. They need their own virtual places. They need to write. The last thing I want to do is ask them to only read and critique. I believe that each participant, regardless of how old or how experienced, can contribute more by writing and engaging in conversations about writing than by merely critiquing. I want all of the participants in this creative writing community to come together through texts. I want every participant to be a writer and a reader. I hope that motivation, knowledge, and literacy will emerge through interaction with and about texts. I hope to see “cognitive apprenticeship” where students are not mere recipients of instruction but developing members whose every text helps them find their own voices (Collins, Brown, and Newman, 1989).

In other words, I want to create an environment where creative, expressive writing can flourish and where texts combine into episodes of interaction and intertextuality. At the same time, I’m trying to find a role and a place for myself. Where do I fit in? What is the role of the teacher in such an environment? What impact will it have on my presence in the classroom? Should I enter the online community of writers as one of its voices, or should I stay away? Should I try writing poetry and engaging with my students and our guests in conversations about texts?

I’m tempted to stay away from the online community and see what happens when the students interact with writers and not teachers.